Joana Rafael is an architect and researcher working on ecological issues related to pollution and contamination in buildings and territories, with a particular interest in the material conditions of construction and environmental contamination. Her research investigates the materiality and limits of physical infrastructures in relation to Earth systems, as well as human–nature relations mediated by dynamics of human impact, with particular attention to radiological contamination. In parallel, she develops a practice of collaboration with artists, research and writing, as well as consultancy on projects in the fields of architecture, art, and ecology. Joana has taught courses related to Contemporary Culture at institutions including ESAP, ISCE Douro, Central Saint Martins, and the University for the Creative Arts. She is a member of CEGOT and CEAA, and co-founder of REFINERY BOARD. Joana holds a Master’s degree in Architecture and Urban Culture from Metropolis, as well as a Master’s in Research Architecture and a PhD in Visual Culture from Goldsmiths, University of London. She also obtained a specialization certificate in Healthier Materials and Sustainable Construction from Parsons School of Design. She is currently completing a Master’s in Visual Arts Education. Alongside her academic work, Joana is a farmer.
Condominium Gondarém 1982
The publication opens with an analysis of the Condomínio Gondarém building—designed in 1982 in Foz do Porto by João Guimarães Serôdio—offering a critical revisitation of an architect whose understated presence in historiography contrasts with the enduring impact of his work on Porto’s urban fabric and daily life. Focusing on this housing project, the book uses it as a lens to examine the city’s transformation during the 1980s, a period of profound urban, social, and architectural change. Through essays and archival materials, the publication investigates collective housing, everyday life, and the broader processes of urban transition.
The book brings together critical essays, including a text by Pedro Serôdio—the architect's grandson—which introduces a personal and intergenerational dimension, and photographs by Giovanna Silva, which offer a reading that is both documentary and authorial of the work.
Published by Pierrot le Fou
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